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Global Corporate Finance, 2008.
A critical examination of the content and arguments of Robert King and Ross Levine in their article, "Finance and Growth: Schumpeter Might Be Right."
1,884 words (approx. 7.5 pages), 4 sources, APA, $ 60.95
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Abstract
This paper analyzes the article, "Finance and Growth: Schumpeter Might Be Right," written by Robert King and Ross Levine in 1993. The paper discusses globalization's impact in corporate finance in developing countries and discusses the article's view on the subject. It also looks at the content of the article and the validity of its claims and provides an overall review of the article.
Table of Contents:
Introduction
Summary
Analysis/Critical Evaluation
Conclusions
From the Paper
"Globalization's impact in corporate finance in developing countries has thus been enormous, guiding the corporations into the adoptions of new financial and accounting standards, in the increase of their transparency and corporate governance standards, as well as in adopting risk management instruments in order to hedge their commitments on the financial markets. Further more, they are decreasing their financial leverage so as to decrease their debt to equity ratios and develop a more prudent approach. The future participation of corporations in developing countries on international financial markets will most likely increase in trend, as well as in approach."
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Middle Eastern Writers, 2008.
An examination of the social and political themes in the writings of Palestinian poet Taha Muhammad Ali, Israeli poet Aharon Shabtai and Turkish poet Ozkan Mert.
1,821 words (approx. 7.3 pages), 6 sources, MLA, $ 58.95
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Abstract
This paper discusses contemporary Middle Eastern writers and the way that they typically approach social and political themes in their writings. The paper specifically focuses on Palestinian poet Taha Muhammad Ali, the Israeli poet Aharon Shabtai, and the Turkish poet Ozkan Mert, and how they each give voice to the suffering and protests they feel in their poetry, attempting to redeem their negative sentiments and experiences through language and art.
From the Paper
"As I see it, the relationship art and the world's social and political scenes has always been a difficult one. The language of poetry may seem to many a force that, in a way, alienates the reader from the immediate experience of reality. The words seem to clinch the meaning behind the state or the event described and then to reveal it entirely differently to the audience. Nevertheless, good poetry is like a transparent veil, through which we can see directly into the heart of things. It is very hard to state just exactly the limit between description and creation in a work of art. Even when art talks about well known events or feelings, it always seems to have much more than a descriptive value, reaching somewhere behind what is immediately known and always disclosing a secret. In many of their works, the Middle Eastern writers are concerned with the exact same thing: when they write about war or murder, they show us the unknown sides of these events. The attempt to voice these atrocities gives birth to an aesthetics which is all the more bemusing as it tears open the inside of crime, sin, hatred and the feelings they compel us to experience. Moreover, no matter its subject art is always the creation of beauty. As Muhammad Ali put it, "art is worthless unless it plants a measure of splendor in people's hearts" (Lehrer), that is, art can awaken and teach emotion and beauty."
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"Trifles", 2008.
An examination of the content and message of Susan Glaspell's play, "Trifles."
1,114 words (approx. 4.5 pages), 1 source, MLA, $ 38.95
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Abstract
This paper discusses Susan Glaspell's work, "Trifles." It argues that the play is a powerful feminist text that draws attention to the destructive effect that the strict and coercive roles the women have to play in a society, have on their inner lives. The paper describes the content of the play and the message that Glaspell tries to convey through her work.
From the Paper
"The play thus emphasizes the importance of the neglected "trifles" of the women's inner lives, which seem unimportant, as they produce no obvious effect on the outer reality. John Wright is described as a good man through the eyes of society, but the women intuitively perceive his coldness and heartlessness, which for them is equal to murder: "Yes -- good; he didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him -- [Shivers.] Like a raw wind that gets to the bone."(Glaspell) Wright performs well in society, but the women understand the chilling, murdering effect such a man would have on the joy of life. The women's experience is thus seen almost as a common block: all go through a "different kind of the same thing': "I know how things can be -- for women. I tell you, it's queer, Mrs. Peters. We live close together and we live far apart. We all go through the same things -- it's all just a different kind of the same thing."(Glaspell) Thus, the division of the two worlds, the masculine and the feminine appears to be irreconcilable, as the many men have yet to understand the subtleties of life."
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"Riders of the Purple Sage", 2008.
An analysis of Zane Gray's novel "Riders of the Purple Sage".
1,000 words (approx. 4.0 pages), 1 source, MLA, $ 35.95
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Abstract
The paper analyzes how Zane Gray, in his novel "Riders of the Purple Sage", uses the conventions of the Wild West and the wide-open, lawless landscape of the Western territories, to tell a tale of how the religious conventions of the Church of Latter-Day Saints, the Mormons, clash with the desires of the central protagonists Bern Venters and Jane Withersteen.
From the Paper
"The beginning of the story shows an individual in conflict with society, and upholds individual rights above the rights of the community. What is so immediately striking about the novel is that a woman, Jane Withersteen, rather than a man, is at the center of the drama about land control and land ownership, and while the Mormons themselves were considered to be outsiders, even outlaws, by the federal government, because of the practice of polygamy, Withersteen's rejection of this practice, which she sees as an enslavement of a woman to male desires, makes her a pariah in the community. For Jane to tend her ranch, and to be able to care for her land only an outsider, Bern Venters will support her in her struggle."
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Wendy Brown's Perspective on Tolerance, 2008.
A review of Wendy Brown's perspective on tolerance as contained in her book, "Regulating Aversion: Tolerance in the Age of Identity and Empire."
1,236 words (approx. 4.9 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper discusses and reviews Wendy Brown's book, "Regulating Aversion: Tolerance in the Age of Identity and Empire." The paper discusses the content of the book and specifically discusses Brown's perspective on tolerance. It suggests that Brown's work is biased by the writer's own decidedly biased liberal viewpoints, rather than representing a comprehensive historical analysis of the development of tolerance as we know it today.
Table of Contents:
Tolerance According to Wendy Brown
Subjugation and Society
From the Paper
"The first part of the book read like a dry political prose, steeped in political theory. However, midway through the book, Brown's style shifts to an impassioned style of writing. Brown's definition of Liberalism is an example of her passion. She paints a picture of society where our differences, held only in private drive us apart, rather than unify us. Differences would then no longer be used to allocate culture and society. Brown failed to recognize and address viewpoints that were different from her own. This weakened her argument considerably. It appears that Brown assumes that her audience will agree with her. She does not even address viewpoints, historical or contemporary that would invalidate her arguments. Brown makes her point by avoiding that which does not fit her mold."
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Homer and Dante, 2008.
A comparative analysis of the quest of the hero in Homer's "The Odyssey" and Alighieri Dante's "The Inferno".
1,364 words (approx. 5.5 pages), 5 sources, MLA, $ 45.95
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Abstract
This paper discusses how in Homer's The Odyssey" and Alighieri Dante's "The Inferno" we see the universal quest of the hero. It looks at how "The Odyssey" is an epic adventure that would certainly be deemed heroic in its very being. In comparison, it discusses how "The Inferno", is less overtly so and how it is more of a personal journey, told in first person by the writer himself, Dante Alighieri. The paper contends that the theme for both is one of transformation and enlightenment. Both "heroes" of these stories had a need for personal fulfillment and reunification with their own spirit.
From the Paper
"One of the striking differences in these two quests is that one is full of a pantheon of gods and goddesses and the other is full of people. Homer gives us a lesson in Greek mythology and introduces us to many of their gods, yet they are somehow familiar. These gods have all too human attributes of love, greed, jealously, pride and so on. They are in essence human except for the fact that they are immortal and have power over nature. This reminds one of Jungian Archetypes, large scale emotional and psychological myths that represent the subconscious in human beings (Jung), except that these gods have the power to make their needs a reality, while humans may only be able to dream about it. However, this dreaming, these myths, reveal a panorama of psychological depth that is unattainable otherwise. "
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Lieutenant Jimmy Cross, 2008.
A character analysis of Lieutenant Jimmy Cross in Tim O'Brien's "The Things They Carried".
1,863 words (approx. 7.5 pages), 3 sources, MLA, $ 59.95
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Abstract
The paper presents the thesis that Tim O'Brien's "The Things They Carried" depicts Jimmy Cross' journey from boyhood to manhood and reveals a character marked by youth's naivete, unshared love, war, death and the feeling of guilt. The paper discusses the common features he shares with other soldiers regarding his young age, his lack of experience and his misinterpretation of the war. The paper also considers the differences between Jimmy Cross and the other soldiers, Martha's mark on Lieutenant Jimmy Cross and how Lieutenant Cross copes with the death of Ted Lavender.
Outline:
Abstract
Similarity to other soldiers
Differences between Jimmy Cross and the other soldiers
Martha's mark on Lieutenant Jimmy Cross
Lieutenant Cross' coping with the death of Ted Lavender
From the Paper
"The Things They Carried is the first of a series of short stories that depict soldiers' lives during war times. The stories are based on author Tim O'Brien's own experience with war and his own charter is sometimes included in part of the writings. The short story revolves around a platoon of soldiers fighting in Vietnam and the things they carry with them (not only the actual things but also what they carry in their mind)."
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"The Return of Martin Guerre", 2008.
A review of Natalie Zemon Davis' work, "The Return of Martin Guerre" and its historical presentation of identity theft in 16th century provincial France.
1,658 words (approx. 6.6 pages), 1 source, MLA, $ 53.95
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Abstract
This paper discusses identity theft in 16th century provincial France through an analysis of the historical evidence presented in the book, "The Return of Martin Guerre," written by Natalie Zemon Davis. In addition, the paper reviews the style and presentation of the author's work and describes the content of the book and the ways in which Davis attempted to make the facts more engaging.
From the Paper
"But Davis uses far more documentary evidence than a director ever could to bring the past to life. She also is able to show that Bertrande's motivations were not just romantic or sexual, but were also rooted in her desire to survive. Davis can also add a great deal of back history, so the reader understand that Bertrande was a woman of her time, as well as an extraordinarily strong and resourceful woman, and that there were many intelligent and capable women living in the Middle Ages. Davis also brings to life with clarity and comprehension the system of justice at the time, which was far more draconian than our own (identity theft was a capital crime) but also far more reasonable than media stereotypes of Medieval justice might suggest."
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Dichotomy of the Apollonian and Dionysian, 2008.
A comparison of the Apollonian and Dionysian dichotomy of Frank O'Hara's poem, "Homosexuality" and Stephen Dobyns' poem, "Counterparts."
809 words (approx. 3.2 pages), 0 sources, $ 28.95
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Abstract
This paper discusses and compares the Apollonian and Dionysian dichotomy of two 20th century poems - Frank O'Hara's "Homosexuality" and Stephen Dobyns' "Counterparts." The paper uses these poems to show how a dichotomous conception of Apollo and Dionysus is rather limiting from the standpoint of literary analysis. It discusses how considering the intertwining of Apollonian and Dionysian tendencies is the only way we can adequately grasp a poet's mythical conception of the universe.
From the Paper
"At first glance, O'Hara's poem seems to have nothing whatsoever to do with the subject of homosexuality. As one penetrates below the surface of the poem, however, it becomes readily obvious that, without making any explicit references to homosexual practices, "Homosexuality" is in fact an homage to the Dionysian celebration of life that has traditionally been an integral part of the gay lifestyle. Dionysus has traditionally been aligned with the idea of joyful excess, drunken revelry, and, in art and literature, formlessness. The speaker in the poem feels unable to contain his own soul, and so he lets it drift off and intends to follow it on its unpredictable journey."
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Anglo-Saxon Culture in Macbeth, 2008.
An analysis of the influences of Anglo-Saxon culture on Shakespeare's play "Macbeth".
2,731 words (approx. 10.9 pages), 7 sources, MLA, $ 81.95
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Abstract
The paper examines the aspects of Anglo-Saxon culture that are prevalent in the tragedy "Macbeth", including religious implications, the unique interpretation of the idea of faith and the social customs which ruled over the people of early Britain after the departure of the Romans from the area. The paper shows how these elements help frame the tragic story of a man who rejected the normal behavior allotted to his status and let his ambition ruin an entire nation.
From the Paper
"The tragedy of Macbeth took place in Scotland at the end of the medieval period of Europe. It was based on real accounts of a Scottish Thane who murdered his Lord. William Shakespeare was known for his poetic language, which helped framed the dramatic and tragic story of Macbeth, (Nostbakken 14). By highlighting elements of the Anglo-Saxon culture which existed in that area and later influenced future generations, Shakespeare creates a world torn by war and ruled by fate."
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