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Billie Holiday, 2008. This paper discusses the musical talent of Billie Holiday, an icon of the jazz music scene in the 1950s. 1,341 words (approx. 5.4 pages), 6 sources, APA, $ 45.95 »
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Abstract The paper relates the successes of Billie Holiday, an African-American jazz vocalist. The paper describes her gradual downturn due to her drug and alcohol abuse that caused her to be arrested several times and negatively impacted her voice. The paper concludes, however, that Billie Holiday was one of the best jazz vocalists ever, with her musical influence felt long after her death.
From the Paper "Billie Holiday was born on April 7, 1915, in Philadelphia, Pennsylvania. Her real name was Eleanora Fagan and she was also known as "lady Day". She named herself Billie Holiday after the film star, Billie Dove. Many of the details about her early childhood years are unknown. What is known is that she spent much of her early youth living with relatives and that she later resided in New York with her mother. There is also evidence from various sources that "...she had experienced abuse and prostitution by her mid-teens" (Billie Holiday1915 - 1959: BBC)."
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Women and Alcohol, 2008. This paper explores the situation regarding women alcoholics today. 1,594 words (approx. 6.4 pages), 6 sources, APA, $ 52.95 »
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Abstract The paper offers a brief history of women and alcohol, looks at the psychological causes for the disease and explores current research and statistics. The paper shows how women alcoholics are on the rise, especially among young women who may binge drink. The paper discusses the many different causes for alcohol abuse in women and asserts that scientists need to do more research in the area of female alcohol abuse, develop sounder methods of treating this debilitating disease and remove the stigmas involved in women alcoholics that stop women from seeking out treatments.
From the Paper "Studies and information have not always acknowledged women alcoholics. For many years, most researchers and scientists studied men who abused alcohol, and ignored the fact that many women can also have problems with alcoholic consumption and abuse. Historically, this has also been the case. In fact, since the dawn of America in the 1600s, alcohol has been a part of the daily life of men and women, and there were probably more alcoholic women in Colonial America than at any other time in history. The Puritans brought more beer than water on the Mayflower, and they established breweries almost as soon as they arrived in the New World, largely because many water supplies were unfit to drink (Hanson, 2007)."
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"Woman" and "Celia", 2008. This paper provides a visual analysis and comparison of two works of art and design from the Metropolitan museum:"Woman" by Willem de Kooning and "Celia" by John Graham. 958 words (approx. 3.8 pages), 2 sources, MLA, $ 34.95 »
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Abstract In this article, the writer studies two works of art that are displayed in the Metropolitan museum. The writer notes that Willem de Kooning's "Woman" is an oil and charcoal rendering of an anonymous woman on canvas, composed in 1944. It is a flat-looking depiction of a female nude against a background that looks like a home. The writer compares this work to "Celia" by artist John Graham. The writer points out that Graham's work is a far softer looking painting, as it is painted in oil, with casein, charcoal, chalk, pencil, pen and ink on Masonite rather than pure, flat oil on canvas. The writer discusses that it showcases "Celia," a woman with a classically hourglass figure and long, soft hair against a black background more reminiscent of a 19th century or classical nude than a modernist depiction of a woman, even though the painting was created at the same time as "Woman."
From the Paper "The space seems cramped, given her position, although there is no distinctive sense of location to the picture, other than the fact that it is indoors. The painting is classified as abstract expressionist in its color scheme, and its use of a mask-like face, which is reminiscent of some of Picasso's cubist works. Although this work is recognizably human, it seems like a grotesque rendering of the human form. The work seems more like smears or swirls on a canvas rather than a suggestion of someone one might know in life. The smile on the woman's face while she assumes an uncomfortable position, and the cartoon-like yellow, orange, green, and blues make it seem as if the work is a parody of a woman, as if the woman's image is being made intentionally ugly or distorted. Even if this was not de Kooning's intent, the artist's emphasis is on the arrangement of form, line, and color not the character of the woman herself. The woman exists as a subject, a series of surfaces, rather than a unique personality."
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Birth Control in England, 2008. Discusses the social and political effects of birth control in England. 925 words (approx. 3.7 pages), 4 sources, APA, $ 32.95 »
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Abstract This paper explains that, in the early part of the 20th century, family planning on a more deliberate level began to appear in England due largely to the continued efforts of birth control advocate Marie Stopes (1880-1958). However, it was not until the second decade of the 20th century that birth control began to be seen as something important, realistic and necessary. The paper then relates the history in England of birth control and the life work of Stopes. The paper concludes that, although birth control is still seen by some people, such as some extremely devout Catholics, as being wrong; overall, there is no stigma in England to purchasing birth control methods even if a woman is unmarried, which is a marked difference from what took place during Stopes' lifetime.
From the Paper "The idea of the importance of contraception actually began early on in the 19th century. At that time, much of the inspiration for that kind of movement came from a book called "An Essay on the Principle of Population" which was written in 1798 by a British political economist named Thomas Malthus. In his book, he argued that the population of the world would eventually grow to the point that the earth would not be able to actually support it. If this took place, famine, poverty, epidemics, and other significant and frightening problems would plague the human race."
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Gender Roles on TV, 2008. A review of the inequality in gender roles in television shows. 1,692 words (approx. 6.8 pages), 11 sources, MLA, $ 54.95 »
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Abstract The paper states that now more than ever, the public holds dear the perception that women are gaining equal status on television, in the workplace, and in society. The paper then asserts that, while on the surface many television shows suggest women are empowered, there are still many areas where women are taking "a backseat to the boys." This paper addresses the status of women on television compared with their actual status in society, using a comprehensive review of research acquired through peer related journals.
From the Paper "Glennon & Butsch note in a study of gender roles on television, conducted between 1946 and 1978, that while televisions stories often match social and economic changes within society, "the relationship between women and men remains the same" where men are often seen as the authoritative figure, especially in programs geared toward family viewers . Some studies suggest gender roles vary depending on the type or theme of programming. As mentioned, there is research suggesting family shows or those focusing on family life tend to continue portraying men as the primary "breadwinners" at least historically (Douglas & Olson 409). Only recently have women begun taking on more powerful roles, like the role Gina Davis played in "Commander In Chief" suggesting women have the desire and potential role to be authority figures. This sentiment has yet to be proven however, as a sentiment mirrored in society. As yet, there have been no female presidents, and it is only now that a woman, Hillary Clinton, is being considered a serious candidate for the Democratic Party. Will she win? That depends on how society feels about her skills, and perhaps her gender.
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Gender Roles in "Beowulf" and "Confessions", 2008. A review of the history of gender roles and their depiction in "Beowulf" and St. Augustine's "Confessions." 1,779 words (approx. 7.1 pages), 9 sources, MLA, $ 57.95 »
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Abstract This paper discusses the depiction of gender roles in "Beowulf" and by St. Augustine in his "Confessions." The paper argues that pagan gender roles as described in "Beowulf" were different than those prescribed by St. Augustine in his "Confessions," demonstrating that Christian beliefs may have eliminated the "warrior-woman" of ancient times, leaving only the submissive role as a model for women to follow. The paper contains notes about the translation of "Beowulf" at the end.
From the Paper "After six months in Cassiacum, Augustine was baptized in the church of St. John the Baptist in Milan. Then he and his mother started out on a trip to Africa, stopping at Civita Vecchia and at Ostia, where death claimed Monica. Mourning for his mother, Augustine penned the finest pages of his Confessions. Monica was a good mother, but Augustine regretted that, as a young man, he did not follow her example of Christian faith. However, Augustine credited Monica with planting the seeds of faith in his heart. He called his conversion a return to the faith she had instilled in him as a child. "So be fulfilled what my mother desired of me--more richly in the prayers of so many gained for her through these confessions of mine than by my prayers alone" (Confessions, Book IX.13.37)"
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Restoring the Hoop: First Nations Women, 2008. This paper discusses Native Canadian Women, or First Nations Women and the effects of colonization and Western cultural infiltration. 1,605 words (approx. 6.4 pages), 10 sources, APA, $ 52.95 »
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Abstract This paper takes a look at how the roles of First Nations Women have changed due to colonization. While women in Western cultures have traditionally held certain roles throughout history, ones that modern feminism makes attempts to equalize, these roles were not kept by Aboriginals, for example, in Canada. With the advent of Western infiltration, Western cultural values became instilled into native culture, disrupting their sense of identity. This paper aims to look at causes behind this change, the negative consequences that have ensued, and how to restore the gender balanced feminism and the esteemed role of women in the First Nations community.
Outline:
Statement of the Problem
Affects of Colonization
How Do We Repair the Hoop?
From the Paper "Colonialism's main goal was to tear down the structure of the native communities and replace it with a new social order. The public school system was used a tool to meet this goal (Millroy, 1999). In this destruction of native life and culture, the balance between gender roles was replaced with a decidedly patriarchal society. One of the key examples of this is in naming practices. Naming practices in the Catholic church dictated that the first names be chosen by the church, rather than left up to chance with the parents (Devine, 2004). Colonization abolished the spiritually based naming practices of First Nations people.
"Women were stripped of their roles and their purpose in life. They were forced to take on a position similar to white women, and the role simply did not fit them. They found themselves between two worlds, longing for the one that they left behind and not belonging fully to the new one."
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Female Art, 2008. A brief overview of the depiction and place of the female in art in ancient history. 1,480 words (approx. 5.9 pages), 1 source, MLA, $ 48.95 »
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Abstract This paper discusses how, because women have always been an integral part of society, their role has been depicted in artwork from the very first sculptures and cave paintings. Not surprising, the way that they have been delineated through art has depended on their changing responsibilities. Also, when women create the art pieces instead of their male counterparts, differences are recognized. The paper compares and contrasts this status within several different cultures such as ancient Greek Egyptian and Minoan cultures. The paper concludes that in most cases, except for the Minoan culture, the women's status continued to decline as the culture became more structured and urban. Except for the earliest times, therefore, women have had a subservient role. This has not only been in Western society, but Eastern cultures as well.
From the Paper "In the period of approximately 3500 BCE to 635 CE, or during such cultures as the Akkadian, Neo-Summarian, Babylonian and Hittite, when looking at the art work it is difficult to know whether the women are depicting female humans or actual goddesses. For example, a female head from Uruk, Iraq, made out of marble from 3200 to 3000 BCE may be a female head or the Summarian goddess Inanna (34). Inanna., later known as Ishtar, was the Summarian goddess of love and war who was the most important female deity in all periods of Mesopotamian history (35). In a Sumerian ruin from the fourth millennium, statues and reliefs are found that are related to her worship. It is unsure, however, whether or not this goddess was represented in human form at that time. Because of continued importance of fertility at the goddesses at this time, women most likely continued to play an important role. "
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WWII Women Pilots, 2008. A review of the reasons, involvement, and necessity of training women pilots during World War II. 902 words (approx. 3.6 pages), 7 sources, MLA, $ 32.95 »
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Abstract The essay describes the origin, the need, the activities and the part played by women pilots in flying aircraft during World War II.
From the Paper "The women, although only civil servants, wore uniforms and served bravely. They had been promised military status, but when male pilots began returning from the war, there were some complaints that women had usurped their jobs as pilots. Women pilots who served in the war effort during World War II were not granted veteran's benefits until more than thirty years later. In deference to the mens' need for jobs, many of the women returned to traditional roles. At the end of the war, thousands of American women were dismissed from military service under a mandate passed in the early forties that had initially encouraged their participation."
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A Southern Woman Author - Flannery O'Conner, 2008. A review of the writings of Flannery O'Conner which reveal the central divisions in the Southern paradigm. 1,638 words (approx. 6.6 pages), 3 sources, APA, $ 53.95 »
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Abstract This paper discusses how the most important themes in Flannery O'Conner's stories and characterizations deal with religion and oppression. In particular, the paper discusses O'Connor's story "Good Country People" and highlights how these themes relate to the dichotomies of simplicity and education, as well as oppression and freedom to express, to live, and to feel.
From the Paper "Danny Duncan Collum relates the Southern culture of the 20th and even the beginning of the 21st century, with religion and religion. According to the author, their religious ardor is one of the elements that find specific expression in the writings of Southern authors, and particularly in those of female writers. "
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