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Art Museum, 2007.
A discussion about various mediums of artwork, their history and where they can be found today.
2,818 words (approx. 11.3 pages), 11 sources, MLA, $ 83.95
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Abstract
This paper describes many pieces of art that were selected because of unique aspects they brought to the world of art. The paper discusses the history of each piece of art and where it can be found today. It concludes by discussing why each piece was chosen for this paper and looks briefly into cross-cultural currents and trans-historical connections.
Table of Contents:
Classical Greek
Hellenistic Art
Etruscan Civilization Art
Republican Rome
Roman Empire
Islamic Civilization Art
Early Chinese
Japanese Civilizations
Gothic
Late Middle Ages
Baroque
Summary
Cultural Cross-currents
Trans-historical Connections
From the Paper
"Each piece in the museum collection was selected because of unique aspects it brought to the world of art. The Aphrodite of Arles, the first piece in the museum, had a dramatic and lasting impact on Western Art. It was the first depiction of a nude female sculpture and set the standard of the female nude in Western Art. The Aphrodite of Arles paved the way for the second piece in the collection, the Aphrodite of Melos. The Aphrodite of Melos is probably the most famous piece in the collection. She was chosen for her beauty. The Aphrodite of Melos may be the best example of Hellenistic sculpture, or possibly the best example of any classical art form. However, the Aphrodite of Melos was also chosen because of the power of propaganda; her enduring popularity owes as much to an intense French publicity campaign as to her true artistic merit. I chose the Cenatur from Vulci, Nenfro, because of its contrast with the two other Greco-Roman sculptures in the collection. Not only is the Cenatur male, he is also made of stone. The coarseness of his material increases the contrast between the Cenatur and the smoothness of the marble Aphrodite sculptures."
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Chinese Art, 2007.
This paper looks at art in Chinese history and shows the common denominator of classicism and opposition to change.
1,092 words (approx. 4.4 pages), 6 sources, MLA, $ 38.95
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Abstract
The paper explores the Tang Dynasty which was commonly regarded by many Chinese as the most glorious period of Chinese history and the classical era of Chinese art. The paper discusses how the Chinese artistic style remained relatively uniform, in contrast with the levels of transformation evident in Chinese society and history of the period. The paper examines the art during the Five Dynasties and Ten Kingdoms, the Northern and Southern Song Dynasties, the rule of the Mongols and the Ming and the Qing Dynasties. The paper explains that during all these time periods there was a climate that discouraged rather than encouraged radical innovations that could be called revolutionary in the traditional, Western sense of an artistic revolution.
From the Paper
"The open ports during the Tang Dynasty meant that China was exposed to new ideas, from abroad, and the arts, including sculpture and painting, as well as poetry and the art of the traditional Chinese opera. All of these arts were nationally supported. Yet this brief period of openness ended almost as quickly as it began. ("Tang Dynasty," Classical Imperial China, 2006) Also, the concentration of artistic support near the Imperial Court limited the levels of innovation to a fairly select group of artists."
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The Art of India, 2007.
This short paper briefly describes the art of India, highlighting painting, sculpture and architecture.
838 words (approx. 3.4 pages), 3 sources, MLA, $ 29.95
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Abstract
This short paper explores both the art of India and the mysticism behind this art. The author describes the purposes of Indian art, citing the religious and philosophical meanings intertwined within a work. Several architectural landmarks are presented, including the complex of temples at Khajuraho. Specific styles of painting are also described.
From the Paper
" The most prominent feature of Indian art is that it does not attempt a representation of the immediate reality as such, nor does it bring merely aesthetic figurations of it, but that its substance is always blended with the religions and philosophies of India, and therefore pervaded with rich symbolism, with a sum of philosophical concepts and many divine characters. This is why artistic objects in India serve usually more than one purpose - the temples, for example, are not, in terms of style, merely architectural forms, but are closer to sculpture. Also the stupas , were originally small burial or reliquary places , but they are also cosmic diagrams by the special elements of their construction such as the harmika symbolizing the heaven of the thirty three gods , and the yasti , as the axis of the universe , rising through the harmika ,and thus uniting the world with the paradise above."
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Fashion of Architecture, 2007.
This paper discusses the intersection of architecture and fashion in the global environment.
9,227 words (approx. 36.9 pages), 24 sources, MLA, $ 190.95
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Abstract
In this article the writer takes a look at the similarities that exist in architectural design and fashion design in today's highly technologically advanced and globalized society. The writer points out that fashion and architectural design have passed through many phases as design technology has furthered the possibilities in design. The writer notes that it is now acknowledged among experts in the field, that architectural and fashion design intersect quite often in today's environment of designing products that are both attractive and that will serve the owner well. This study is of a qualitative nature and collects data in the form of information in these two design fields and then conducts what is an interpretive analysis of the information garnered from this study.
Table of Contents:
Chapter One
Background
Research Design
Statement of the Problem
Purpose of the Study
Definition of Terms
Chapter Two
The Connection between Fashion and Architecture
Historical Trends in Fashion & Architecture
Impacts of Globalization & Technology on Design
Conclusion
Chapter Three
Discussion of Major Trends & Analysis
Data Collection - A Survey of Modern Designs, Designers, Photos, & Theory
Data Analysis - Criteria: Function versus Image-Statement
An Exploration of a Couple of Modern Japanese Fashion Designers' Work
An Exploration of Hussein Chalayan's Work
Chapter Four
Technology
Importance Of Materials
New Technologies -Quest For New Textiles
How Techno-Textiles Have Increased The Possibilities Of Both Architecture And Fashion
How Do They Work In Practice?
Chapter Five
Conclusion
Is the Interaction Between Fashion And Architecture A Positive Outcome Of Our Modern Life?
Where Do We Go From Here? What Will The Future Of Fashion And Architectural Design Look Like?
Recommendations For Future Research
From the Paper
"Today's architectural design and fashion design work have penetrated each others space. Fabrics are used in fashion design to create texture, color and to bring the design elements together into a whole. Architectural design uses the materials for building in much the same way and for the same purpose as each material, whether in fashion or architectural design creates a different effect on the same design. This research views the clothing of an individual making to shelter and provides a definition of our personal space such as do architectural structures although on a much larger scale. Fashion in clothing has allowed express in society for many millions of years. Generally it is those who have attained status within their cultural grouping that have the power to become trend-setters. Furthermore, color is greatly used as a matter of personal choice. Fashions vary greatly dependent upon age, social class, generation, occupation and geography. Fashion evolves constantly particularly in a capitalist society."
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Australian Art, 2006.
A detailed discussion on the influences of Australian indigenous art forms.
2,342 words (approx. 9.4 pages), 10 sources, MLA, $ 72.95
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Abstract
This paper debates the influence of the colonial past and the way that indigenous art forms are altered and even possibly distorted in the process of appropriation. It discusses the topic of non - indigenous appropriation and whether this is artistically legitimate or even possible in terms of the perceptions brought by non - indigenous artists from other cultures. It also explores the ways in which two non - indigenous Australian artists have been influenced by indigenous art and makes reference to some of the issues relating to the appropriation of Australian indigenous art in a modern and postmodern context.
Table of Contents:
Introduction
Brief Overview
Artists
Appropriation and other related issues
Conclusion
Works Cited
From the Paper
"One of her most well - known and lauded works is entitled 'Terra Spiritus'. This is in effect a series of 51 prints depicting the Tasmanian coastline,"...each feature labeled with both the English and the original Tasmanian topographic names, while the colors are derived from native Tasmanian ochres." (Bea Maddock) There is therefore a trajectory in her work which seeks to combine elements of indigenous art with the colonialist and European past and influences, in an attempt to create an area of discourse and interaction in art between the indigenous and non - indigenous. "
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Jules Cheret, 2007.
This paper discusses Jules Cheret's influence on the art and poster-making movement.
3,510 words (approx. 14.0 pages), 10 sources, MLA, $ 98.95
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Abstract
The paper describes how Jules Cheret who produced over 1,100 posters in the 1890s, is considered the father of the Paris poster movement. The paper discusses how he was commissioned to create original poster art for advertisers and for the Paris Opera. He lived and created during what is called the Belle Epoque. The paper describes his background and the innovative methods he employed in his poster making. The paper examines how Cheret birthed an industry that remains today with painters such as Charles Gesmar and Henri de Toulouse-Lautrec whose works are published as prints or posters. The paper illustrates how Cheret elevated ,what had hitherto been a commercial tool to publish black and white words, to an art form.
Outline:
Cheret's Methods
The History of the Poster
The Belle Epoque
From the Paper
"To begin with, Cheret studied the techniques of past artists and admired and observed the painting techniques of the present-day ones. He visited all the Paris museums. He wanted to be a painter and the paintings he produced earned him a great deal of notoriety. But, observing the lives of the thousands of starving artists in Paris, holed up in leaky attic garrets, he realized that the life of a painter wasn't for him, especially since he had been working in a lucrative printing business. Although he was able to sell sketches to various music publishers in Paris, this did not satisfy Cheret."
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Kodak Problems, 2007.
This paper explores the challenges faced by the Eastman Kodak photography company today.
1,146 words (approx. 4.6 pages), 3 sources, MLA, $ 39.95
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Abstract
The paper discusses how in the last few years the Eastman Kodak company lost competitiveness, due to their inability to adapt quickly to new market demands. The paper reveals that now the company is confronted with greater challenges than ever before. The paper explains that the company has to face global competitors and cope with a fast technological pace that requires speedy reactions to market demands every day. The paper relates, however, that there is still time to recover the leader market position that Kodak once had. They would have to adopt a new strategy and implement drastic changes, such as cost reductions and major R&D investments.
Outline:
Company overview
Main Competitors
Financial Information
SWOT analysis
Strong points
Weak points
Opportunities
Threats
Conclusions
From the Paper
"Kodak is a well known brand in the films industry. Eastman Kodak's activity is spread across various markets, such as: consumer photography, professional photography and labs, cinematography, medical solutions and graphic communications.
"In the end of 2005 the company registered over $14 bn in sales and it employed more than 50,000 people.
"The history of Kodak goes more than 100 years back in time. Mister Eastman Kodak, the father of this company is the one that made photography accessible to everyone, as we know it today."
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The Relationship of Art and Psychology, 2003.
A review of impositions and super-impositions of the subconscious over the conscious world.
4,427 words (approx. 17.7 pages), 10 sources, APA, $ 116.95
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Abstract
This paper discusses how art and psychology stand in a very close relation to each other, psychology having been considered by some scholars as " the closest science to art", because of the obvious psychological involvement of both creator and his audience in the artistic process. The paper further discusses how one of the most circulated themes in artistic creation is that of the subconscious itself, and the typical psychological problems that arise from the conflict between the subconscious impulses and patterns and the conscious world.
From the Paper
"However, the relationship does not go any further than this, and they avoid actually performing adultery. Four years from their separation, the dull Mr. Duffy sits as usual reading his paper and having supper at the same time, after his usual habit. While reading, he suddenly comes to a newspaper article talking about "a painful case": an absurd train accident who caused the death of a middle aged woman, who is none else than Mrs. Sinico. This is the whole plot of the story. The significant psychological facts about it are, first of all the personality or psychological structure of Mr. Duffy, who is a telling example of a man who leads an ordinary and very well-structured life, filled with numerous life-habits, and who is not able to reconcile his own subconscious instincts and desires with his conscious ideas about life. The details of the room he lives in, as well as of his everyday habits, are indicative of a sort of oppressing emptiness, due to the character's lack of awareness about his own self and his own psychological needs."
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"A Modest Proposal" by Jonathan Swift, 2006.
A review of Jonathan Swift's famous essay entitled "A Modest Proposal".
928 words (approx. 3.7 pages), 0 sources, $ 32.95
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Abstract
This paper reviews and discusses the essay "A Modest Proposal" by Jonathan Swift. According to the paper, in this essay, Swift reveals his beliefs about how art is a force that can be used to bring change and that all humans should have an understanding of what the truth is. The paper goes on to say that it is Swift's art that allows him to manipulate the truth for his purposes.
From the Paper
"Swift has artfully prepared the audience by appealing to logic and ethics so that his proposal does not seem so barbaric. The way he states the "truth" of his argument leads the reader to believe that the plan makes sense. "A young healthy child well nursed is at a year old a most delicious, nourishing and wholesome food" (Swift). The audience is supposed to accept this fact as truth and Swift has manipulated his audience in advance to make it seem almost logical. From this point forward, his argument and justification of the plan become increasingly outrageous when read with a sensible eye. However, Swift uses the power of logic to make his truth here seem like the truth. "
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Charles Shaw (1941 - 2005), 2004.
A critical look into the work of painter, Charles Shaw.
1,090 words (approx. 4.4 pages), 3 sources, MLA, $ 38.95
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Abstract
This paper reviews and discusses the life and work of painter, Charles Shaw. According to the paper, a first glance at most of Shaw's paintings reflects perfect depictions of the peaceful and quiet life of all the characters. However, aside from revealing the emotional state of the characters, the painter's work also represents war.
Outline:
Short Description of Shaw's Work
Impressions Upon the Viewer
Specific Details: Form, Content, Medium and Theme Form
Conclusions
From the Paper
"With watercolor paints, Shaw used brushes that held more water than the brushes used for oil or acrylic paint. With these brushes, the artist was able to paint a wide variety of lines and shapes, creating the desired effects quicker than with regular brushes.
Shaw created his own paints based on oil components by grounding and mixing pigments into a medium oil. He mostly used these paints on canvas, but also on wooden panel or pressed wood. On creating a painting in oil, Shaw first thoroughly prepared the surface. Then, he would apply a ground to isolate the surface from the acidic qualities of the paint, continue by developing a sketch of the main features in the painting and only afterwards apply the oil paints."
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