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Hoover Dam, 2007.
This paper examines and discusses Hoover Dam in Nevada.
1,300 words (approx. 5.2 pages), 5 sources, MLA, $ 43.95
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Abstract
In this essay, the writer relates that there are few dams in the world that have received the amount of attention that Hoover Dam has received since its construction years ago. The writer points out that, with an annual tourist draw of more than 1 million people, Hoover Dam is counted as one of the most visited tourist attractions in America. Standing at 762 feet the dam towers above the dry arid floor around it and generates power for more than 1 million customers in Arizona, California and Nevada. This paper presents an extensive overview of Hoover Dam. The writer explores the construction, the benefits to society the dam provides and the future plans for the dam. The writer concludes that Hoover Dam continues to be respected as one of the great architectural designs in America's history.
Outline:
Introduction
Differences
History
Touring Options
The Building of the Dam
Conclusion
From the Paper
"There are two dam tours available, one that lasts 30 minutes and another that lasts for an hour. The half hour tour provides information for a tour of up to 80 people and takes the participants into four different engineering areas. The second tour however, has room for 16 people because it asks them to don hard hats and go deeper into the dam to visit 10 additional sites of interest."
"The longer tour starts with an elevator ride that travels down more than 52 stories in length directly into the canyon wall. Once the elevator stops tourists walkthrough a long tunnel to the power plant where tour members are urged to put earplugs in before entering."
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Architecture and Sculpture, 2007.
A comparison of function and construction of Michelangelo's sculpture of "David" and the architecture of Chartres' "Cathedral."
1,061 words (approx. 4.2 pages), 3 sources, MLA, $ 37.95
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Abstract
This paper compares two famous works of art - one sculpture and one of architecture. It examines Michelangelo's sculpture of "David" and the architecture of Chartres' "Cathedral." It compares their structure, materials, function, how they were constructed, the type of structure, their purpose and the length of time it took to construct them. The paper also compares them with regard to proportion and their similarities in characteristics of visual and design elements.
From the Paper
"As to function, they provoke the same sentiment: awe. The "David" looks down briefly upon the viewer and one's eyes wander to his hands or arm or slingshot and one marvels at the holiness of God. The same may be said of the cathedral. When one stands in the entrance and views the enormity of the vault, the lights and color of the stained glass windows, and how constructed (Spiro 335), one wants to remain in the atmosphere, All the parts work together to bring about a sensation of holiness and awe. The central nave is in the shape of a cross, with the top of the cross at the altar and the two arms stretched out on either side. The cathedral was assembled from millions of stones, which were then laid, or installed on the site where it was needed. The "David" material (a large piece of marble and a slingshot in his hand,) is simply a single piece of marble."
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Textiles Influence on Architecture, 2007.
This paper discusses the important influences and effects of textiles on architecture in both the past and the present.
1,191 words (approx. 4.8 pages), 5 sources, MLA, $ 40.95
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Abstract
The paper reviews the work of Gottfried Semper and explains his theory known as "The Four Elements of Architecture". The paper discusses the use of textiles in architecture and labels it as a fairly new, but growing, industry in the world market. The paper also examines new textile designs available. The paper relates that today, woven fabrics are being used to construct buildings and highway overpasses since these materials are resilient and resistant to environmental factors.
Outline:
Objective
Introduction
Textiles in Architecture
Semper's Theories
New Textile Designs
The Future of Textiles in Architecture
Summary and Conclusion
From the Paper
"Gottfried Semper was among the most outstanding architects during his day. The work of Egenter (nd) states that Semper "...globally documented one basic paradigm: the fact that fibrous and perishable materials are widely found in art and architecture related to durable materials, mostly as texture ('incrustation' principle) or structurally. When one investigates the similarities that exist between the art of weaving and the pursuit of architecture, one is able to see the concepts as they overlap."
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Artistic Utopias, 2007.
An analysis of various artistic depictions of utopia from the past and present.
2,634 words (approx. 10.5 pages), 10 sources, MLA, $ 79.95
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Abstract
This paper discusses the portrayal of utopia in art, whether it be literature, architecture or the fine arts. The paper presents examples of many types of depictions of utopia throughout history. The paper suggests that there is a new utopian revolutionary art where artists collaborate with the people of a community to restate their own history as the surroundings inspire them.
From the Paper
"Cuban artists currently have opened "Contemporary Art from Cuba: Irony and Survival on the Utopian Island" with a range of artists exhibiting from 24 to 39, at the ASA Museum at the University of Arizona, an art museum known for exhibiting work experimental in content, form or presentation. These artists show they are disillusioned with the socialist Revolution, yet they remain loyal Cubans."
"Land artists, who create monumental sculptures, perhaps are those most successful in living out their utopian ideals in large scale, such as Michael Heizer, who has spent three decades creating a huge collection of truncated pyramids in the Nevada desert, Charles Ross, who has a subterranean Stonehenge for the space age in New Mexico and Christo, who has tried to wrap up the world like a present."
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William Sumner Appleton and Norman Morrison Isham, 2007.
A look at the legacy of preservationists William Sumner Appleton and Norman Morrison Isham.
2,513 words (approx. 10.1 pages), 5 sources, MLA, $ 76.95
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Abstract
The preservation of historic sites and of vintage architecture has become a major focus for many in the contemporary period. Different theorists have addressed this issue as they have also sought to motivate the movement for the preservation of the worthy and the important. This paper examines how two such theorists with somewhat different approaches to the subject are William Sumner Appleton and Norman Morrison Isham, both of whom left writings on the subject as well as took action in furtherance of their goals and their idea of the need for preservation.
From the Paper
"William Sumner Appleton lived at the end of the nineteenth and beginning of the twentieth centuries in the Boston area, where at the time, preservation was maturing from a string of spontaneous efforts to an institutionalized movement. As this took place, both the aims of preservation aims and its methods were transformed, a process in which Appleton played a key role. In the nineteenth century, Boston did not have an organization dedicated to preservation as such. The Bostonian Society was meant to be such an organization, but the group seemed to be satisfied by the single project of looking after the Old State House. The Trustees of Reservations was also nominally interested in historic structures, but in practice the group refused to accept any such structures for years because they had no means of maintaining them. "
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Crime Prevention, 2006.
A discussion regarding criminal activity and the possible prevention of crime by means of crime prevention through environmental design (CPTED).
1,423 words (approx. 5.7 pages), 12 sources, APA, $ 47.95
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Abstract
This paper reviews and discusses various statistics relating to criminal activity. The paper then goes on to discuss studies which show that property crime can also be prevented by manipulating the design of the separate properties and their relationship to each other and the surrounding neighborhood. This process is called crime prevention through environmental design (CPTED). According to the paper, the overall impact of CPTED by itself continues to be controversial. Specialists are more prone to accepting the fact that it is one of many measures that, taken together, can prevent or reduce crime.
From the Paper
"NIJ does say that these cases "suggest" that place-based crime prevention approaches that are designed to meet the needs of certain neighborhoods do indeed reduce crime, although they are not "prove" this is the result. "In practice, it would be as difficult as untangling a spider web to evaluate the effectiveness of specific place-based crime prevention measures applied to these residential areas" (Cozens, 2005, p. 328). Also, although crime data back the thesis that place-based applications work, "the physical, management and community organizational interventions in these cases are woven together in complex ways that defy individual analysis" (Cozens, 2005, p. 328)."
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Victor Horta, 2007.
An analysis of architect, Victor Horta's influence on the art nouveau movement.
4,519 words (approx. 18.1 pages), 19 sources, MLA, $ 117.95
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Abstract
This paper analyzes whether Victor Horta's work reflects the aesthetics of the art nouveau movement. It also looks at what some of the limitations of the art nouveau movement were. The paper provides an overview of the architect's life and the times in which he lived. It then analyzes Horta's influence to the art movements of this time period.
Table of Contents:
Review and Discussion
Background and Overview
Victor Horta and the Art Nouveau Movement
Influence and Limitations of Art Nouveau
Conclusion
From the Paper
"The research showed that architectural designers such as Victor Horta and Hector Guimard are credited with introducing the art nouveau movement to England and the rest of Europe (primarily France and Germany) in response to the technological innovations that were taking place in the world at the time. What distinguishes Horta's works from some of his peers, though, is the enduring quality of his craftsmanship and attention to detail, all of which contribute to making his buildings a single work of art as it were. As one modern observer puts it, "Although many of Brussels' houses have extremely boring exteriors - and seldom is one a mirror of its neighbor - coming upon occasional works from the art-nouveau era can be as exciting as seeing a rainbow" (Levin 1)."
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Gothic Architecture, 2007.
This paper explores the rise of Gothic architecture in the Romantic Period.
815 words (approx. 3.3 pages), 3 sources, MLA, $ 29.95
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Abstract
The paper discusses the movement away from classical designs in the Romantic Period. The paper describes the new taste for Gothic architecture that was a response to science and technology that challenged old views and ideas of reality. The paper looks at John Vanbrugh's Blenheim Palace, Horace Walpole's magnificent Strawberry Hill residence and Hagley Park's Gothic ruin as examples of the Gothic style in the 18th century.
Outline:
Introduction
Blenheim Palace
Walpole's Strawberry Hill
Stuart's Sham Gothic Ruin
From the Paper
"Between 1750 and 1850 in Europe, a new artistic style arose and prospered in Europe, one which is now referred to as the Romantic Period. This period originated toward the end of the 18th century in Germany, where critics wished to distinguish between "modern" traits and "classical" traits, such as those found in ancient Greek and Roman art forms. At this time, many artisans and supporters of the arts in Europe, particularly in England where Romanticism in literature began, revolted against the observable regularity of classical art and moved instead toward a style that had its beginnings some four hundred years before during the Medieval Era."
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Divine Light, 2007.
An analysis of the history and evolution of the concept of divine light, particularly within architecture.
3,601 words (approx. 14.4 pages), 8 sources, APA, $ 100.95
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Abstract
This paper discusses the concept of divine light. It investigates the origin of the concept and how it is integrated with social values and ideals of various times throughout history. The paper discusses the history of divine light and suggests that in these modern times, the concept of the divine has stretched and evolved to include a variety of principles, religions and lifestyles. The paper gives examples of its use and particularly focuses on the concept of divine light in architecture.
Table of Contents:
Introduction: Divine Light
Divine Light in Architecture
Greek Temples
Early Christian Architecture
Medieval Christian Churches
Baroque churches
Modern Churches
Conclusion
From the Paper
"Instead, Tadao Ando asserts that a universal spirituality is possible through the use of natural forces. This in turn is reminiscent of the enclosures around Greek Temples, where natural elements were used to connect the human spirit to the divine. Ando recognizes that the divine, if architecture is going to be truly universal, is largely undefined by the paradigms of modern society. We live in an integrated world. Ando therefore uses natural elements that appeal universally to the human spirit. This provides for a "divine light" that is flexible: human beings can use its effect to connect to any form of the divine that pleases them. In this integrated approach, Ando emphasizes the creative force, once assumed to be from exterior or supernatural forces, that comes from within the spirit. As such, his work is a true integration of modern social values."
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Tadao Ando, 2007.
This paper explores the work of modern architect, Tadao Ando.
3,360 words (approx. 13.4 pages), 8 sources, MLA, $ 95.95
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Abstract
The paper examines the presence of light, shadow and texture in Tadao Ando's work. The paper discusses how light is one of the most important elements in Japanese art and looks at the use of light and water, light and nature, light and color and light and shadow. The paper shows how, by studying Ando's work, one can explore the use of light in a new way.
Outline:
Ando's Concept of Light and Architecture
Light Environment in Traditional Japanese Architecture
Light Environment in Ando's Religious Buildings
Conclusion
From the Paper
"Art is an expression of the human spirit. It is a way of describing elements, which lie in the sublime, the world that is just out of reach of the present reality. Architecture is a means for humanity to connect with the finite nature of existence. The edifices that we build in our lifetime will stand long after we are gone as a testimony to our very existence. Buildings are more them concrete and walls to serve a functional purpose. Buildings are a reflection of the humans that built them and their search for a place in the universe. It is for this reason that we study architecture and its various forms."
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